DOCUMENTARY

DOCUMENTARY

EDITOR

EDITOR

EDITOR

I've always been drawn to documentary as a unique form of journalism — revealing truths about the human experience that cannot be conveyed by any other medium. I admire filmmakers who expose the nuance of a story and uncover something that would otherwise remain hidden.


I try to create a collaborative edit suite where ideas can be explored freely and time is used effectively. I've learned not to be overwhelmed by large volumes of material and to trust my judgement in finding the right story. My passion is communicating openly in the edit suite so that we can explore all the options, find creative solutions, and ultimately craft a story with clarity, emotion and purpose.

I've always been drawn to documentary as a unique form of journalism — revealing truths about the human experience that cannot be conveyed by any other medium. I admire filmmakers who expose the nuance of a story and uncover something that would otherwise remain hidden.


I try to create a collaborative edit suite where ideas can be explored freely and time is used effectively. I've learned not to be overwhelmed by large volumes of material and to trust my judgement in finding the right story. My passion is communicating openly in the edit suite so that we can explore all the options, find creative solutions, and ultimately craft a story with clarity, emotion and purpose.

SELECTED WORK

07 FILMS / SERIES

Green field below a clouded mountain

01 / BREAKING THE BIRD: THE STORY OF TWITTER

Episode 4. Jack Dorsey returns to save Twitter before the company is sold to Elon Musk.

CANDLE TRUE STORIES / CNN / 1 × 60’

WATCH TRAILER →

Misty mountain river landscape

02 / SECRETS OF MISS AMERICA

An investigation into the history, culture and controversies surrounding the Miss America pageant. LIGHTBOX MEDIA / A+E / 1 × 60’

Misty mountain forest
Misty mountain forest

03 / I AM A STALKER

A true-crime series examining stalking through the perspectives of victims and perpetrators. TRANSISTOR FILMS / NETFLIX / 2 × 60’

Mountain under a dusk sky
Mountain under a dusk sky

04 / THE UNSEEN HOLOCAUST

Historian Dr Jeremy Hicks investigates Jewish persecution before Auschwitz and Treblinka. SKY VISION / HISTORY CHANNEL + PBS / 1 × 90’

WATCH CLIP →

Foggy forested mountains
Foggy forested mountains
Foggy forested mountains

05 / SECRETS OF THE HELLS ANGELS

TED AND DONNY: Hells Angels Hitmen. Conclusion of an eight-part series uncovering the criminal world of the Hells Angels. ARROW / A+E / 1 × 60’

Mountain range beneath blue sky

06 / DEADLY INFLUENCE: THE SOCIAL MEDIA MURDERS

Cases in which online influence, identity and obsession turn fatal. TALOS FILMS / DISCOVERY MAX / 2 × 60’

Clouds over a rugged mountain peak

07 / SECRETS OF CHINA’S FORBIDDEN CITY

The history, engineering and design of the world’s largest surviving palace complex. LION TELEVISION / CHANNEL 4 / 1 × 60’

WATCH CLIP →

BROADER CAREER

BROADER CAREER

BROADER CAREER

Before specialising in documentary editing, I worked across feature film, broadcast television, animation, VFX, specialist factual, short film and music — in editorial, production and coordination roles.

Before specialising in documentary editing, I worked across feature film, broadcast television, animation, VFX, specialist factual, short film and music — in editorial, production and coordination roles.

Before specialising in documentary editing, I worked across feature film, broadcast television, animation, VFX, specialist factual, short film and music — in editorial, production and coordination roles.

VFX + POST PRODUCTION

VFX + POST PRODUCTION

Five years at FRAMESTORE, progressing from Runner and MCR Edit Assistant through Video-to-Film Coordinator and Assistant / VFX Editor, working across the Walking With productions and feature-film VFX. Later VFX production roles for Darlow Smithson, Fluid Pictures and Lola VFX.

Five years at FRAMESTORE, progressing from Runner and MCR Edit Assistant through Video-to-Film Coordinator and Assistant / VFX Editor, working across the Walking With productions and feature-film VFX. Later VFX production roles for Darlow Smithson, Fluid Pictures and Lola VFX.

FEATURE FILM + DRAMA

FEATURE FILM + DRAMA

Editorial Coordinator on Legend of the Guardians for ANIMAL LOGIC / WARNER BROS; First Assistant Editor on The Day of the Triffids; VFX Editor on Dracula; online work on Dinotopia and Bright Young Things; feature VFX editing on Troy, Harry Potter 1 & 2 and Underworld.

Editorial Coordinator on Legend of the Guardians for ANIMAL LOGIC / WARNER BROS; First Assistant Editor on The Day of the Triffids; VFX Editor on Dracula; online work on Dinotopia and Bright Young Things; feature VFX editing on Troy, Harry Potter 1 & 2 and Underworld.

SPECIALIST FACTUAL + LONG-FORM

SPECIALIST FACTUAL + LONG-FORM

Early long-form and specialist factual work included The Last Dragon (100 min, Animal Planet), Walking with Beasts (6 x 30), Space Odyssey: Walking With Spacemen (2 × 60), Sea Monsters (3 × 30), Land of Giants and The Search for Giant Claw, all for BBC SCIENCE.

Early long-form and specialist factual work included The Last Dragon (100 min, Animal Planet), Walking with Beasts (6 x 30), Space Odyssey: Walking With Spacemen (2 × 60), Sea Monsters (3 × 30), Land of Giants and The Search for Giant Claw, all for BBC SCIENCE.

INDEPENDENT FILM + MUSIC

INDEPENDENT FILM + MUSIC

Editor of Some Place Safe, screened at the LONDON FILM FESTIVAL, and Swing Low, the UB40 Rugby World Cup promo. Producer / Director of the independent short film Persona Non Grata, taken to CANNES in 2016, and the Santa Baby music video.

Editor of Some Place Safe, screened at the LONDON FILM FESTIVAL, and Swing Low, the UB40 Rugby World Cup promo. Producer / Director of the independent short film Persona Non Grata, taken to CANNES in 2016, and the Santa Baby music video.

FULL EDITING CREDITS

Documentary, factual and long-form editing credits.

FULL EDITING CREDITS

Documentary, factual and long-form editing credits.

FULL EDITING CREDITS

Documentary, factual and long-form editing credits.